Read Next: Everything Coming to Netflix in September While Moorhouse’s focus on a sharply drawn, predominantly female cast gives the film a certain kinship with “How to Make an American Quilt” and “A Thousand Acres,” its dark, acrid mood most directly recalls that of her superb 1991 debut, “Proof,” the first and only other Australian-set feature she’s directed — which makes “The Dressmaker” as much of a homecoming for her, in some ways, as it is for Tilly.Given the sheer number of threads that Moorhouse (who adapted the novel with her writer-director husband, P.J. Nearly as deplorable is the hunchbacked town doctor (Barry Otto), a sexist prick who decides to withhold medicine whenever he thinks it’s probable God will pick up the slack.Almost all of Dungatar is terrified upon Tilly’s return, though their fears are slightly assuaged when she decides to start outfitting the womenfolk in gorgeous, flowing, tailored dresses (which look jaw-droppingly gorgeous on screen and pop in a most fascinating way when framed by the bone-dry landscape). Born in Brisbane in 1941, Otto was the son of a butcher. Together they make their dreams come true! Winslet, a difficult actress to root against under any circumstances, has us in her palm from the moment she steps into frame, looking like an avenging dark angel bathed in ’50s noir shadows. Barry Otto 215px Name Barry Otto Birthplace Brisbane, Queensland Birth date Template:Birth year and age Occupation Actor Active Years 1975 present Notable Roles TBA Barry Otto (born 1941) is an Australian actor and voice artist, primarily of cinema and an amateur artist Contents[show] Early life Barry Otto was born in Brisbane in 1941, the son of a butcher. Cast: Kate Winslet, Judy Davis, Liam Hemsworth, Hugo Weaving Variety and the Flying V logos are trademarks of Variety Media, LLC. Barry Otto is an Australian actor and voice artist probably best known for the Australian TV series "Dance Academy" and his work in the movies "Bliss," "Legend of the Guardians" and "The Great Gatsby." In 1950s Australia, beautiful, talented dressmaker Tilly returns to her tiny hometown to right wrongs from her past. Otto portrayed Administrator Allsop in Australia in 2008. It’s a lot to take in and is often tonally discombobulating, but the spine of the tale is worth sifting through the nonsense for.You can see the fire in Myrtle “Tilly” Dunnage’s (Kate Winslet) eyes from the moment she sets foot in her teeny-tiny hometown of Dungatar late one night, armed with a Singer sewing machine and a stunning, Dior-inspired dress of her own making. At one point, Tilly, Molly and Teddy attend a local showing of “Sunset Blvd.,” and the priceless sight of Molly talking back at the screen, cutting between Davis and Gloria Swanson, feels like a subliminal moment of exchange between one inimitable Hollywood grande dame and another.
As a boy, even though from a strict Pentecostal family, he felt God told him through a sign to leave his father and h... Former Smog songsmith Bill Callahan offers sparse and dry-recorded acoustic portraits on Beyond NWA and Public Enemy: rappers have been sounding the alarm about police brutality since the birth of hip-hop.Whipped Cream's debut is a perfect tonic to all the bottled-up rage and pent-up energy many of us are feeling this year while reminding our bodies of the dancefloors to which we will one day return.What sets Ghetto Kumbé apart is their ability to mix the traditional and modern so seamlessly in their music. She approaches the story -- based on the book by Rosalie Ham -- with an outlandish energy, sandwiching the silliest of moments between flashes of blood-curdling violence and unexpectedly moving scenes of teary-eyed melodrama. As the end approaches, the overall tenor of the piece bends increasingly toward the book’s gothic extremity, as Moorhouse pushes the mechanics of her bizarre story furiously toward camp: Long-buried mysteries are solved even as the present-day body count keeps rising, and an amateur town production of “Macbeth” comes out of nowhere — all the better to provide a suitable backdrop for Tilly’s own merciless revenge play.Providing a crucial, stabilizing anchor here are the performances of Winslet and Davis, whose turn as a booze-swilling, dementia-addled and infernally sharp-tongued old matriarch is enough of a hoot to make one further wonder what she might have done with the role of Violet Weston in “August: Osage County,” onscreen or onstage.
A stylish drama with comic undertones about lo...


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