Just an accident of history.It certainly pays my electric bill, but I believe that if you really stop doing things, you just sit in your chair and melt away. And that audience, to me, were always just numbers on a page. "Traveling the country I’ve been really surprised and hit on the head by how much love people have for the memories and the power of nostalgia for the cartoons I’ve helped make. Sheila E., the drummer, gave it to him as a gift. "I didn't know who they were at the time, all I thought was that beetles would make terrible children's characters and program," he said.But Campbell soon learned of the British band and the impact they were having on music in the United States and Europe.He would direct many episodes of "The Beatles" animated TV series, which debuted in September 1965. "The first part would be these animals running around, a cat chasing a mouse, and they were real to me.

I became obsessed with that idea." As an animator and storyboard artist working in the golden age of Saturday-morning cartoons, he’s worked on everything from Now seventy-eight years old, the man who grew up reading about Hanna-Barbera and Walt Disney in a library in Victoria, Australia is on tour in the U.S., sharing his drawings in the traveling One of the most striking features that has hit me is the cultural significance of the cartoons that we were making. After doing some work for "Krazy Kat" and "Beetle Bailey" cartoons, Campbell was asked by an American animation studio, King Features, if he wanted to do a project on The Beatles. Even if they had an absolutely miserable childhood, they have happy memories at least of running down the stairs and turning the TV on and watching programs designed just for them on a Saturday morning. "I grew up in Australia. And if I sell paintings along the way, hey, terrific. I was inspired by Chuck Jones, a generation before mine, he worked on 'Looney Tunes,' and did characters like Bugs Bunny and the Road Runner and Wile E. Coyote," Campbell said. "They have a powerful memory of that, no matter how old they are, no matter how difficult their childhood might’ve been, it was a happy memory and that sort of surprised me. Ron Campbell is an Australian animator. People buy them because it brings back moments of joy they had as children.”When: 4 to 8 p.m. Friday, noon to 6 p.m. Saturday and noon to 4 p.m. Sunday. I just stayed with what I thought were shows that I enjoyed working on. Scooby-Doo debuted in 1969 and seems as popular as ever. LAS CRUCES - Ron Campbell — animator, director and producer of some of the most well-known, beloved children's cartoons such as "The Smurfs," "The Jetsons," "The Flinstones" and "The Beatles" television series, will be exhibiting and selling his work March 5 and 6 at  Art Obscura, 3206 Harrelson St. As a child, Campell said he has always had a fascination with animation. Ron Campbell will be offering for sale original cartoon paintings of "The Beatles" both in their Saturday morning cartoon and 'Yellow Submarine' roles as well as various other works from his 50-year career in animation including "Scooby Doo," "The Smurfs," "Rugrats" and more.Ron Campbell, director of the 1960’s Saturday morning "Beatles" cartoon series and one of the animators of The Beatles film "Yellow Submarine" will make a rare personal appearance at Art Obscura, 3206 Harrelson St., Tuesday, March 5 and Wednesday, March 6. But they all found sustenance, relief, inspiration, and joy in rushing to the TV on Saturday morning and watching our shows. Approximate size 16" x 21" He directed episodes of The Beatles cartoon, and was an animator on the Beatles film, Yellow Submarine. In the 1990s, Campbell did work for Disney and Nickelodeon, where worked on projects for "The New Adventures of Winnie the Pooh" and "Darkwing Duck. An abbreviated version of this story appears in Thursday's Life & Style section of The cast of animated characters Ron Campbell helped bring to life over a half century reads like a who’s-who of Saturday morning cartoons.During his five-decade career as an animator, director and writer, Campbell, 79, helped tell the tales of the Flintstones, the Jetsons, the Smurfs, Scooby-Doo, Winnie the Pooh, the Rugrats, Darkwing Duck, the Teenage Mutant Ninja Turtles, Yogi Bear and George of the Jungle – and that’s just a partial list.But as he has sailed the Sea of Time, his work on the psychedelic cinematic adventures of the Fab Four has proven the most fascinating to the greatest number of his fans.“I worked for 50 years – actually 50 years and one month to be precise – at making cartoon films in one capacity or another, either producing at my own studio, often under subcontract (or) producing my own TV show ‘The Big Blue Marble,’ which proud to say, we won a Peabody Award and an Emmy. Brandy McDonnell, also known by her initials BAM, writes stories and reviews on movies, music, the arts and other aspects of entertainment. $ 895.00 "As I was coming out of art school, television came to Australia and for the first time there was a way of earning a living for television commercials that were animated so I was ahead of the wave in Australia going around pretending like I knew how to do cartoon films." I’m glad I was able to do that,” Campbell said.“I never, ever woke up in the morning and said, ‘Oh, damn, I’ve got to go to work,’ and it’s fun even now.

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