During the twentieth century, inaccurate legends about the film developed, claiming it was the first Western or even the first film to tell a story; though film scholars have repeatedly disproved these claims, demonstrating that the film was a stylistic dead-end for its maker and genre, the film's commercial success and mythic place in American film lore remain undisputed. Workers leaving the Lumière factory for lunch in Lyon, France in 1895; a place of great photographic innovation and one of the birth places of cinema. The first scene shows the chief as he explains to his followers the plan of the great train robbery. A group of bandits stage a brazen train hold … Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist.Keep track of everything you watch; tell your friends. Except for the last five seconds, all of the shots are in medium to long. 34 of 36 people found this review helpful. For other films of this name, see The film's scenes, as numbered and titled in Edison's promotional leaflet The Great Train Robbery. You must be a registered user to use the IMDb rating plugin. Other articles where The Great Train Robbery is discussed: history of the motion picture: Méliès and Porter: Porter’s The Great Train Robbery (1903) is widely acknowledged to be the first narrative film to have achieved such continuity of action. Due in part to its popular and accessible subject matter, as well as to its dynamic action and violence, the film was an unprecedented commercial success. Check out our list of the month's most anticipated films and shows to stream from home.Want to share IMDb's rating on your own site? With Gilbert M. 'Broncho Billy' Anderson, A.C. Abadie, George Barnes, Justus D. Barnes. Two masked robbers enter and compel the operator to stop the approaching train.

One of the milestones in film history was the first narrative film, The Great Train Robbery (1903), directed and photographed by Edwin S. Porter - a former Thomas Edison cameraman. After dangerous and uncertain moments, the fireman save the woman' s son, too. The final shot of the film, which features a close-up of a man firing his pistol directly at the camera, elicited screams of fright from audiences that had … As cinema was in its infancy, many people who saw the film thought that they were actually about to be shot. They ... Take that, Steven Spielberg!! A small boy stops the flow of water and the gardener looks into his hose. (This effect is gained by foreshortening in making the picture.) The resulting street demonstration in Odessa brings on a police massacre. Two bandits enter an express car, kill a messenger, and open a box of valuables with dynamite. Placed at the opening of the film, it might act as a trailer for the shoot-'em-up action to come.

A standalone final scene, separate from the narrative, presents a medium From laboratory examination of some of the popular films of the French pioneer director, Georges Méliès—trick films like The Edison studio, facing growing competition from other American companies, welcomed Porter's ambitious plans.Porter (and possibly Anderson) drew on various sources when planning the scenario for For the film's title and basic concept, Porter looked to For the narrative style of the film, Porter likely drew freely on various recent popular films, made by other filmmakers experimenting with elaborate storytelling.However, the film successfully collected many popular themes and prevalent techniques of the time into a single accessible narrative.The final shot, in which Barnes fires at the camera in a framing reminiscent of a Scene 14—REALISM.

They then knock the operator out and tie him up. The narrative momentum of the film is cast aside, then the fourth wall of the screen is broken by his gaze, only to be further ruptured by his bullets. A fireman rushes into a carriage to rescue a woman from a house fire.

The Great Train Robbery, 1903 Part 2 The gang is chased by a posse and the robbers get their just desserts in a final shootout.

The film, especially the close-up of Barnes, has become iconic in American culture, appearing in numerous film and television references and homages. A group of astronomers go on an expedition to the Moon. Use the HTML below.

Though it did not significantly influence or advance the Western film genre, it was widely distributed and copied, including in a parody by Porter himself. A life size picture of Barnes, leader of the outlaw band, taking aim and firing point blank at each individual in the audience. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a ... What can one say about an 11 minute film, which is reputed to be the first narrative motion picture to be shot in the United States? Edwin S. Porter (American, 1870–1941). As the train stops it is boarded by the bandits‍—‌now four. Several scenes have color included - all hand tinted. It's an especially violent act, both in real terms, and cinematic ones. Was this review helpful to you? Hypnotist Dr. Caligari uses a somnambulist, Cesare, to commit murders. This section of the scene can be used either to begin the subject or to end it, as the operator may choose.The catalogue's informal approach to where the scene should be placed was not unique to Porter continued to make films for more than a decade after, usually in a similar editing style to Later film critics, abandoning the exaggerated claims, have tended to explain the film's significance mostly in terms of its wide popularity and Porter's influential action-driven storytelling. Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. For each sequence, it is set in place and actors move in front of it.Looking for some great streaming picks? The women's dresses at the dance are in color - each frame had been hand colored. He fights with the boy. They are then pursued by a Sheriff's posse.

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