Crash, American dramatic film (2004) that was written and directed by Paul Haggis and won the Oscar for best picture. He is a rood, impolite, racist man who uses his social position and physically molests Christine (the wife of Cameron) under the pretense of looking for a gun after blaming Christine in performing fellatio on Cameron while he was driving a car.

A self-described "passion piece" for Haggis, Crash was inspired by a real-life incident in which his Porsche was carjacked in 1991 outside a video store on Wilshire Boulevard. As Officer Hansen decides to patrol alone, so Ryan is partnered with a Hispanic-American with whom he finds common …

It is probably impossible, as in the film “Crash,” it is impossible to determine who of the main characters is bad, and who is good.

He steals the van, and, upon opening the trunk, he discovers numerous Cambodian immigrants chained inside. There are two policemen, one of which appears to be a total “asshole”, rude, harsh, embittered cad and racist, the other is still a young, inexperienced guy, who seems to be good and nice; but during the film they change their roles, and we see who is who. He molested the woman, thus humiliating her husband and forced him to apologize also. The film features racial and social tensions in Los Angeles. The two women blame each other for the mishap and make racial jibes.

He risks his life trying to save Christine (the woman he molested a day before) from the death in a terrible car wreck. There, his boss instructs him to not reveal the presence of the cash in the black officer’s trunk in order to put forth an image of a non-racist LAPD.

In another sequence, LAPD Ryan enters his squad car, and the viewer is introduced to his partner, Arriving home after a long day of work, Daniel finds his five-year-old daughter, Lara, hiding under her bed.

Anthony hops into the car, and Cameron begins driving erratically. There is an Afro-American filmmaker who curries favour with police officers and wishes to be born “white.” We see Afro-American detective who forgets about his mother and brother and Persians` family, whose head is an American citizen, but not really knowing the language faces a lot of problems (Seller 2006).

Back at his store, Farhad tells Dorri that Lara is his “guardian angel.”At night, Peter is hitch-hiking in a deserted part of town.

About how difficult it is for people to understand each other, especially if they are from completely different culture and upbringing, and also about the tragic consequences of such failure.

Once, after watching his partner John Ryan pull over black Cameron Thayer and his wife Christine and sexually molest Christine, Tommy desires to change of partner.

If you seek to understand them, ignore their turn-ons and substitute your own.When "Crash'' premiered in May, 1996, at the Cannes Film Festival, some people fled the theater.

In the film’s closing scene, Shaniqua exchanges a series of racially-charged slurs after she is rear-ended by an Asian driver. Once after coming into a dead end Cameron, who is angry because of LAPD, confronts the police officers. They follow their self-destructive courses because they do not want to stop.

There ware no obvious good or bad characters.

Analysis Crash Movie .

"Crash'' is about characters entranced by a sexual fetish that, in fact, no one has.

A clear depiction of the existence of discrimination in modern life is widely portrayed in the film Crash. This scene proves that Tommy influenced by remorse behaves fairly. About how difficult it is for people to understand each other, especially if they are from completely different culture and upbringing, and also about the tragic consequences of such failure.

We also see a man who is attorney and his wife, who is suspicious to all “non-white people”, whether Negro or Hispanic, but tells this only to her husband, being afraid of public condemnation. She gets out of the car and goes to the cop and the other driver, an Asian woman. "Feel" conjures a sense of emotion.

We also see a man who is attorney and his wife, who is suspicious to all “non-white people”, whether Negro or Hispanic, but tells this only to her husband, being afraid of public condemnation. Registered Data Controller No: Z1821391.



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