You know, photons and phasers and all that kind of stuff. Even cheapest ones will probably be around $100 million for the FX alone. There is a BIG difference between the two for a reason. Clearly there is not a huge mandatory to make one anytime soon.There have been a lot of little bits of news that have floated by the wayside as time passes. It’s only once you get to TFF that the stinginess is visibly hurting the franchise.I think the mixed critical and fan response to TMP came down to critics and fans not appreciating the more cerebral approach the movie took, calling it dull and slow when they didn’t get another action packed blockbuster. It’s just the nature of the beast, and every film except The Voyage Home has had to follow that formula. If any of the talent is outside the US, they won’t be back until travel restrictions are lifted, clearly, Americans won’t be heading out of country until we hand leadership back to functioning adults, hopefully this year. An entire streaming channel is fueled by new Trek content and raking in the dough as a result (even though the domestic audience is probably not bigger than watched Enterprise!) Small budget makes more focus on character. Paramount is still a studio in financial distress. The production values being as big as a tent pole blockbuster did not hurt, but they would have been a waste of money if the characters and tone were off.i do think Hollywood has a tendency to try to spend its way out of being as clever as it could be, and Trek fell victim to that with Into Darkness and to a lesser extent the other two Kelvin films. At the very least this would be more feasible for a TV movie, not something you throw on IMAX.I think character work is the biggest reason the 2009 film hit it big. i like a lot of moves paramount is making now that they are getting organized but the saint seems like a mistake. At least he doesn’t waste our time with Midnight Edge BS. Shatner is older then dirt, and he still says yes. Chris Pine, Zachary Quinto, Simon Pegg, and Karl Urban have all been in smaller movies and TV shows since the latest Star Trek.

Starting fresh with an all new cast is probably less appealing than trying another Kelvin film, just not one that costs $190 million.William Shatner was 37 when he finished his last day on TOS. The Discoprize 1701 has an excellent cast, right sets and ship, Kelvin universe has an excellent cast (include Carol Marcus as well and add Saavik!). Otherwise, why bother when you can just make more TV shows instead?Yeah I don’t think that price point is realistic. It’s difficult to do when you are sitting in a plastic chair in a conference room. good actor. You’re not going to get them for even LESS money. That aside, Chris Pine would still love to return as Captain Kirk once more for Star Trek 4, whatever shape that may ultimately take. After the second movie barely made money I suggested they would do a lot better to treat it a bit more like a TV show and make smaller $20 million movies more frequently.

You understand? At that level they can hit a bunch of triples and gross similarly to Beyond to get Paramount good buzz but not break the bank.In fact I remember reading a few interviews with Frakes talking about First Contact and Insurrection back in the day. And now after going so big for 3 films, you can’t go that little either and expect the same response from movie goers. The Even though Pine, who turned 40 this week, walked away from the negotiation table in 2018, Chris Pine as Kirk with Anton Yelchin as Chekov and John Cho as Sulu inDuring the podcast Chris Pine talked about how he got his start with They convinced me to go in for this audition… And one of the [scenes] was when I first meet Uhura and flirting with her.

lens flares, transport between solar systems, holographic displays, and every bedroom is a holodeck, etc. Its best to just keep them seperate.Yeah they seem like they really want to keep the movie cast seperate from the TV cast as much as possible.

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