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Random House, New York, 1943. War economy standard.

Interior pages clean and unmarked though slightly age-toned.

. DJ is bright and striking to the eye. . Stated first printing.

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. Condition: Very Good. . To preserve these articles as they originally appeared, The Times does not alter, edit or update them.Occasionally the digitization process introduces transcription errors or other problems; we are continuing to work to improve these archived versions.THE SCREEN; Thirty Seconds Over Tokyo,' a Faithful Mirror of Capt. As a matter of fact, all of the production involving planes and technical action is so fine that the film has the tough and literal quality of an Air Force documentary.The performances, too, are clean and literal. Pictorial endpages. Condition: Very Good. CAPTAIN TED W. LAWSON. Newspaper clipping enclosed descibing the previous owner's relationship to the author. . Lawson's left leg is laid open to the bone, and McLure's shoulders are broken. Size: 8vo - over 7¾" - 9¾" tall. Her comparative newness as an actress and a wistful voice give her a rare advantage.It is not in the least surprising that this film was permitted to use the actual names of the principal participants in the "Doolittle raid," for it is a fitting tribute to all of them.

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Leon AmesTimesMachine is an exclusive benefit for home delivery and digital subscribers.This is a digitized version of an article from The Times’s print archive, before the start of online publication in 1996. Condition: Almost Fine. And a glorious and blazing record in our fighting tradition ?? Friendly Chinese help them, and the Americans face hardships and danger while being escorted through Japanese-held territory. Book-of-the month inserts folded in. . A first hand account of the Doolittle raid over Tokyo.

Van Johnson gives a warm and brave performance as Captain Lawson, and manages quite well to achieve a moving tenderness in love scenes and rigid strength in the action field. Binding is still tight, and is slightly cocked. He flew a B-25 bomber off a pier in Santa Monica, Calif., for a scene showing the takeoffs from the Hornet.Although an aircraft carrier was not available, due to wartime needs (USS According to MGM records, the film made $4,297,000 in the US and Canada and $1,950,000 elsewhere, resulting in a profit of $1,382,000.MGM's studio 15 provided room for 179 feet (55 m) of carrier deck.

Minimal wear.

Map end papers. No other marking or writing in book.

Spencer Tracy in the very small role of Lieut.

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. Lawson crashes in the surf while trying to land on a beach in darkness and heavy rain. THIRTY SECONDS OVER TOKYO. . Condition: Good. No Jacket. USA Random House, 1943.

1st.

. Clean and tight. . They are very much in love, but giving up never occurs to them. Used - Acceptable. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Tell us what you're looking for and once a match is found, we'll inform you by e-mail.Can't remember the title or the author of a book? Ted Lawson's Book, With Van Johnson, Tracy, at Capitol There is no surgeon at the elder Dr. Chung's hospital, but Lt. Smith's crew is on its way with Lt. “Doc” White, who volunteered as gunner.

Spine sunned & chiped at the bottom edge. Mylar protected. Hardcover, appears to be a First Edition, a Random House Wartime book, edited by Robert Considine.

The Japanese deployed massive numbers of troops which ravaged the countryside searching for airmen and taking reprisals.Although most sources state that the men of the Doolittle Raid were the first to fly bombers of this type off of an aircraft carrier, they were not the first.

[ First-Hand Account of the Doolittle Raid over Tokyo].

Ted Lawson's Book, With Van Johnson, Tracy, at Capitol .

Lawson's wife, Ellen, drives to Elgin to join him.

Cover and binding are worn but intact.

CIRCA 1943.

?ager young fliers underwent, their transfer to a Navy aircraft carrier and then discovery that they were off to bomb Japan.

After the attack on Pearl Harbor, he volunteered for a secret mission that evolved into the raid on Tokyo in April 1942. Hardcover.

18.8 x 12.5. "One of the worst feelings about that time," Ted W. Lawson writes, "was that there was no tangible enemy. Filming at Dean Davenport was a technical adviser and stunt flyer for the film.

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