The best seats are in the centre of row D and G as they offer a good central view. He lacks charisma in order to allow us to build up empathy with the Phantom. It's not half as grimdark as it used to be. Theatremonkey show opinion. It is a central position so good from that point of view and I would say it is probably one of the best places to get a good view of the chandelier going up and going down! After seeing it four times it has lost some of the excitement and emotion I felt on the first three occasions. When we got there, two seats next to us were empty, so we moved two seats closer to the centre. Overall I loved it and found it very enjoyable, and I would recommend it. I think all the Manchester Front of House staff should be sent to London to be trained! It is, in a word, spectacular, by which I mean that it is all spectacle. They join Matt Blaker as Raoul and Kelly Glyptis as Carlotta, Matt Harrop as Monsieur Firmin, Adam Linstead as Monsieur Andr, Greg Castiglioni as Ubaldo Piangi, Francesca Ellis as Madame Giry and Ellie Young as Meg Giry. Rachel Barrell as Christine and Oliver Thornton as The Phantom had amazing voices. His voice was beautiful in my opinion he was the best phantom I have seen. Get quick answers from Her Majesty's Theatre staff and past visitors. I have two more bookings to go, and am in danger of turning into a nerd, but really, just the best show there is! Oliver Thornton (Raoul) isn't the best in the cast but then again isn't the worst, his voice is pretty good and his acting is acceptable, but Earl outshines them all. Dedication for the Red Gambit Series This series of books is dedicated to my grandfather, the boss-fellah, Jack 'Chalky' White, Chief Petty Officer [Engine Room] RN, my de facto father until his untimely death from cancer in 1983 and who, along with many millions of others, participated in the epic of history that we know as World War Two . >My mum and I sat in seats 18 and 19 of row A in the Upper Circle. Saw this last night (30th March 2005) and unfortunately we didnt enjoy this show. They afford some brief, but generally pleasant, glimpses of his habits and career; and in a letter, in which Pliny makes application on behalf of his friend to the emperor Trajan, for a mark of favour, he speaks of him as "a most . ____________________________, There are few productions still running in London with just as much panache and zest as they had when they started, and I truly think that Phantom is one of them. CA, USA. Bromley Or just go see Les Mis for the 1,500th time. :) Ciara Hemming. They can hold the audience within the compass of their eyes. You don't miss a thing at these seats, and they made the show much more enjoyable. I would definitely recommend 'Phantom' to anyone. Phantom and Christine were unconvincing and overworked, while Raoul fell into the usual trap of being a charisma vacuum. The rest of the show he seemed very tired and bland. That low dress circle sits over the back half of the stalls, so the view of the stage is badly compromised from row O. How wrong we were! And occasionally ruined by the worst. Wishing You Were Here Again is a great favourite of mine. Of course the story is daft, we all know that, but nevertheless it is pretty compelling and as with other big productions in London I just love the stagecraft involved which just makes me think oooh, thats clever the chandelier really is enormous, I was quite thankful I wasnt underneath it, the mirror, the magic tricks etc wonderful. I'd definitely go back, and I'd book the same seats too! Was interesting watching other people not knowing where the Phantom was speaking from - but if you knew where to look you had no issues seeing him. So if anything is happening higher up the stage you cannot see it. Seating gives ideal view of stage no matter where. Premium seats Current prices are advised at time of enquiry. _______________________________________________. Both the current London Christine's are also amazing; the passion with which they sing is brilliant. Best seats are stalls row J 26 and 27. I could not say anything as we were all so cramped together - it looks like they have added an extra row of seats and pushed the other seats really close together. Having seen the show a few times before we had our own personal taste on how we like our Phantoms to be portrayed and were not sure how Scott would fare - we neednt have worried. Please remember that the musical was the original and the movie came after, the movie was slightly different from the show (the show being better). After showing initial promise with some very impressive effects, it soon became apparent that the cast was not able to keep up with the set. Day Seats: 13th September 2018. The theatre is beautiful and conveniently located. Amazing view of both the entire stage and the orchestra put. Restricted View Seats Often, the view isn't as bad as it sounds like on paper, and so buying these seats are very much worth it. It only emphasis's the passion! Buy your tickets with confidence here. The theatre was quite warm for a chilly night, only felt cold when side door near the seats was open. Usually highly talented and skilled as they need to learn many roles in the show very precisely and may take over at a moment's notice. Erl Carpenter was good, but not in the league of John Owen Jones, who is fab. Phantom of The Opera London: Fabulous - See 6,989 traveler reviews, 822 candid photos, and great deals for London, UK, at Tripadvisor. RECOMMENDED: How to score cheap theatre tickets in Melbourne. Amazing seats which made the premium price worth it. Katie B The comparison with the latter being particularly apt, as that too is always a disappointment. Belonging to the 6 footer club, I have not yet had trouble fitting into seats at Her Majestys. Menander, as has been said in the last chapter, once more rescued the stage of Greece from barbarism. I was worried about the legroom but needn't have been. I thought these seats were a real treat, especially with with no seats in front so no heads to obscure the view. It's closer to the MCU than many people would like to admit. 855-315-0431 Concerts Bad Bunny Billie Eilish Bon Jovi Coldplay Dua Lipa Elton John Ticketek says the seats are restricted by support poles. Most memorable. I had totally forgotten the background story (of course I knew the Phantom/Christine bit) and so it was like watching it all for the first time. Key moments were missed - if I didnt already know what happens in key places Id be confused as to what was going on! The Regent is a wide space, too, so the sightline is fine even on the side ends. The Project Gutenberg eBook of Critical and Historical Essays, Volume III (of 3), by Thomas Babington Macaulay This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. Mark Lane, and long legs although some shifting was required occasionally. Our newsletter hand-delivers the best bits to your inbox. Fantastic. Zac21621 Dec 11, 2022. People next to us were really annoyed especially as these are top price seats! As it is, it plays like the West End's granddad on life support, while there are young, vibrant shows out there in Theatreland. Visited this theatre for the first time - last minute decision so the only seats available were in the back row of the stalls SEATS 1/2/3. There is no seat in front of F1 to obscure the view and I (in F2) was lucky in that the seat in front of me (E1) was empty. And as for Alex Rathgeber, the review I read is not nearly complimentary enough. Her voice was brilliant and she had a hard task hitting all those high notes but she did it every time. DAY SEATS: A number of 30 day seats are released at 10am each day online at: https://uk.thephantomoftheopera.com/day-tickets/. Thoroughly enjoyed it. This is not the Andrew Lloyd Webber / Sarah Brightman Story because occasionally the musician also bursts into song. Very haunting and terribly tragic. The actor who played the Phantom could not be faulted. One thing we both noticed was that both seats were set quite high off the ground. Sloppy movement, limp voices, technical hitches - we had them all. The whole thing blew me away. I understand people have different tastes but this is ridiculous! The seats on the very ends of the rows are as unobstructed as those in the centre, and with everyone in the one space, theres something endearingly collegiate about it. My cousin and I were in London for a special few days break and chose this show to see out of all those currently on as we loved the music (I have a copy of the original cast recording LP!). She completely screwed up the last part of 'Think of me' which was already shorter than usual I think due to her vocal limitations. The lady next to me had an exciting moment (she went oohhhh) when a male dancer was leaping around and his thong showed beneath his costume! Ramin Karimloo was spectacular as the Phantom. Sherrie My view was very good. The stalls have an intimate seating arrangement with each row having a maximum of 35 seats. I have to say this was by far the best visit to see this long runner in a long time, and only have one gripe. Hands down, the best seats in this theatre are the front rows of the dress circle. My favourite song being 'Prima Donna,' I cannot understand how not since Rosemary Ashe in the original cast have I ever seen or heard anyone better. read more. Very enjoyable, polished 5 star performance. The cast and costumes, the music was superb. I was also impressed with the leg room, I'm 6 foot and it was ample. Strangely there was no announcement stating the changes in the cast, maybe because there were so many. > . The seats were amazing and I was so close to the action, I did not have a problem with legroom or cricked necks. (Balcony) Still, I didn't expect to miss half the show. I enjoyed it very much, my whole opinion of opera has changed. Maybe I will get a chance now the tour has announced Katie Hall as Christine and John Owen Jones to share the role of Phantom with Earl Carpenter. The show itself was very enjoyable but I did feel that it was starting to show its age a little and some of the characterisations are a little sloppy. Revenue impacts the experiences featured on this page, Ask elainag2015 about His Majesty's Theatre, Ask KarenC769 about His Majesty's Theatre, Ask KayleighMac about His Majesty's Theatre, Ask tommys203 about His Majesty's Theatre. We bought tickets for the show on-line, based on theatremonkey.coms comments. One small word of warning-do not go to the stage door to see the cast! Your view is blocked for a few seconds during the masquerade scene so you miss the entrance of the Phantom and I had forgotten about SPOILER the actor who pops up during the show from the orchestra pit who blocks your view SPOILER ENDS - but again being so close adds to the experience. The only tiny problem with view the seats is that you cant see the head when the Phantom enters (2 second obstruction), at the start of Act 2 and the chandelier blocks the phantom for a few seconds when he is at the top of the stage at the end of Act 1. I think we can all be glad he didn't wait for Mr. Schnberg's work to move out or London Theatre would look very different today. ______________. There is no allocated seating, either, so there is often a bit of a wild stampede for good seats as soon as the curtain parts. I was beginning to change my opinion of him. I actually started off really liking his performance. Please don't forget this was written long before the rest of the show at a time when the aim of the project was still a parody rather the thick and heady romantic spectacle that it became. Even though I think you can tell that the show is now 20+ years old from a number of the effects, it still worked; but after hearing so many chandelier stories I must admit to feeling a little disappointed when the thing "crashed" down - Hmmmmm. I asked at box office at 14.15hrs. You can't miss the beautiful, street-facing entrance, and although there is no designated drop off area, cars can pause to drop off passengers nearby on Grote Street. At full price, I would have preferred to have been one or two rows further back and a little closer to the centre, but as a TKTS purchase this was absolutely brilliant value. There is a real depth of emotion conveyed by the music and the stage performances of the actors was excellent. ___________________. we laughed out loud because that summed up perfectly our experience at Her Majestys Theatre. This was incredibly disappointing too. My criticism of this theatre and show is that unless you book early, the theatre's seat allocations are actually not great (because ticket agencies take their allocations apparently), especially if like me you are picky with were you sit with Theatremonkey's advice at the ready! In fact, I would say about a maximum of 10 minutes through the whole show is spent watching people lean. I have seen 'Phantom of the Opera' many many times. Seats were great, we had G15 (aisle) and G16 in the Stalls. The young man sitting behind me (who was taller than me) spent the whole performance with his knees banging against the back of my seat! Not a FOH person to be seen when this was going on. Angie Christie (Mrs) What is restricted view at Her Majesty's theatre? All the views expressed in our published seat reviews are those of independent theatregoers and don't necessarily represent those of whichseats.com, producers or theatre owners. ___________________, My first West End show. No railing, just a wide velvet shelf. John Owen-Jones was playing the Phantom and I was so impressed by his range, acting and general musicality. more, West End and South Bank Theatre Walking Tour in London. To add more atmosphere, they should make all of the sound louder. My personal choice would always be to go for the Dress but being offered 65 seats for 35 made the decision to go for stalls. That great height brings us to the worst seats. __________________________________. Phantom is also a quiet musical, and does not rely on deafening the audience to be effective, apart from the natural crescendos within the score, and obviously the Phantoms theme tune The lighting is absurdly clever, as are most of the special effects. I wish this cast all the best for the rest of their contract, and I hope to see it again soon. I found the leg room really good for my 6ft frame, the seat padding seemed quite thin though but it was comfortable. I've seen it several times now and can't wait to go again! and Christine wasn't a shade of the beautiful, haunted talent she once was. Still, it was a relief to hear a non-American accent (both Patric Wilson and Emi Rosum needed voice coaching). They were schlepping their oversized M&Ms World bags through the aisles, munching snacks, cheerfully commenting their favourite scenes, and exactly during the most dramatic final moments someones phone went off I dont want to sound elitist, but when I pay a lot of money for a Musical the only sound I hear should be from stage, and not the excited yelps of some middle-aged superfan in the row behind me. I am 5' 11" tall and my knees where jammed against the seat in front. ____________________________, 9th July 2011. A special mention to Oliver Thornton as Raoul.absolutely terrible! Good view of the stage though quite high up. I thought that after hearing the original cast on my CD so many times I would be disappointed but Iwasn't. The spectacular staging always dazzles, and the score throbs emotion throughout. Yes, it looks great and familiar tunes always make for an easier evening out, but why does all the emotion have to be so overblown? Our interval drinks order was takenand a selection of gifts from the kiosk was bought round to our seatsof which nanny bought the lot!! Phantom of the Opera, 22Oct2017, I knew I would have a restriced view but it wasn't too bad. Plus, I have to admit I would have gone a bit earlier but after hearing Ben Foster on TV singing a song from 'Phantom' I put off going until he had left the cast as I thought he sounded dreadful. I also hope they fix the A/C. Swansea This review is the subjective opinion of a Tripadvisor member and not of Tripadvisor LLC. __________________________________. A hideously deformed musician enjoys chasing a talented young lady singer around the stage. If you ring for tickets and talk to the theatre direct and see the seating plan you could be ok. Some people have thought that the show dragged but I think that is par for the course with musicals when they are a couple of hours long, and actually I was eager for the second half to start as I was really enjoying the performance. We disagree. Until Saturday 1st April 2023Earl Carpenter will reprise his role as The Phantom. These seats are very good. This means that your view of the stage may be partially blocked. The sound is perfect, the view is perfect and this time there was lots of legroom. Typically, stalls seats can be regarded as some of the best seats in the auditorium, due to their close proximity to the stage. For the (access rate) of 29.75 I thought it was great value. Her Majesty's Theatre Stalls. The supporting cast were fairly anonymous too. MAY, 1810. She is superb. The atmosphere created was a particular plus-point for me, and by the end of show I was hooked. The only thing I could think of that annoyed me about sitting in these seats is that Gina Beck (who plays Christine) had her back to us in some of the scenes, so we couldn't see her reactions to the other characters. I'd recommend this seat, even for a first timer, as long as they are not a grump, and are a theatre fan who doesn't mind a really close view with a bit of a restriction. Beth Becky I've once bought a single seat at the very end of row B and the view was terrible. Ramin Karimloo made a wonderful 'Phantom', Gina Beck an amazing 'Christine' (what a voice! The balcony ledge only comes up to just under waist height, and there is a narrow bar which comes up slightly higher. After one emotional rollercoaster of a show ('Ghost') I went on to my next, Phantom. The seats looked quite new and were very comfy. That said though, the songs that we all know (and love?) You all make Phantom sound dreadful, so any one just put off by what these other people have written - ignore them ! Birmingham UK Rachel Barrell played Christine and Andrew Thwaite was Raoul, and there was a stand in conductor as well. He was physically imposing, powerful, menacing and sensitive. The tyranny of distance is lessened in the back of the stalls and dress circle thanks to the refurbishment, but depending on the scale of the production currently playing, you may wish to avoid the nosebleed sections if you want the best view in the house. Book London Theatre Week The Phantom of the Opera tickets in London on TodayTix. That said, this is a great show and I don't think you can be a regular West End theatre goer and not see it. Loved it. The whole show is hidden behind a huge chandelier, and some very talented singers. He is a very strong Raoul, not foppish and weedy at all. The songs are fantastic, the set is amazing and the storyline is exciting, maddening, and devastating all at once. Row D Seats 16 and 17. Apart from that it was excellent, and am glad I got an excellent view sold at a restricted price even though it wasn't affected in the slightest. She loved the whole thing, but was a little bit worried that the chandelier might fall on our heads! The costumes are beautiful, the stage work is clever and creative, and the performances are bar none. Anyway, yes I loved it. Ben Lewis was good, but perhaps not the strongest Phantom I've caught - but certainly one of the better ones. If you continue to use this site we will assume that you are happy with it. Rachel is by far the best singer I have ever seen in the part, not sounding in pain or like she was struggling. There are some poles in the way and as has been said below the view can be blocked by the balcony above. And Ramin looks so different in person (because the make-up is very professional), but bless him he's actually so cute and you can tell he is so overwhelmed with all the fans. You are close to the stage without being too close, you can see the actors faces clearly; and the famous chandelier is just to the right of you a little bit when it goes up and down so it's not very scary being under it. Nadia Ansari I must comment on the helpfulness of the theatre staff, as my grandmother uses a wheel chair, we were approached on entering the theatre by staff and taken round to a side door, shown the disabled toilets and taken to our seats before the crowds came in. Not dreadful but certainly not worth 25 in any way shape or form. ____________________. ___________________________, To all concerned with the production and performance of this show. He was brilliant and earned the standing ovation he received at the end. No doubt there is a large amount of prima donna style 'drama', but come on! There was plenty of legroom and the view was very good. The view was excellent as it was really close to the actors. However I do wish I had seen Mr Owen Jones instead. _____________________________________, We went to the matinee performance of 'Phantom of the Opera' on 23rd January 2014. In my opinion, he is well worthy of it. Having now also sat in the Stalls, the depth of the stage is more visible from the upper levels, for example from the Dress Circle I could see the entire blanket of smoke covering the stage floor, whereas from the Stalls (F16, F17) the floor of the stage is at eye level so from that angle the blanket of smoke appeared as a thin layer overflowing the stage. There is nothing wrong with the first few rows of the stalls, but the dress is the place to be. If I had my way, phones, crisps, sweets, food, drink and chatting during shows would be imprisonable offences!!! more. That being said, there are certainly good, better and best seats, and some clunkers. ) and G16 in the league of John Owen Jones, who is fab legroom and orchestra. 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